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Urban Wilderness for string quartet:
Amber on Black for voices, alto flute & electronics:
Miscellaneous:
Apathetic Machines Score Sample
A page from the score for Apathetic Machines, the first movement of Urban Wilderness for string quartet.
Utopian Mirror Score Sample #1
A page from the score for Utopian Mirror, the second movement of Urban Wilderness for string quartet.
Utopian Mirror Score Sample #2
Another page from the score for Utopian Mirror, the second movement of Urban Wilderness for string quartet.
Utopian Mirror Manuscript Sketch #1
Page 3 of the handwritten manuscript sketch for Utopian Mirror, the second movement of Urban Wilderness for string quartet.
Utopian Mirror Manuscript Sketch #2
Page 7 of the handwritten manuscript sketch for Utopian Mirror, the second movement of Urban Wilderness for string quartet.
Utopian Mirror Paper Sketch
The second page of the handwritten paper sketch for Utopian Mirror, the second movement of Urban Wilderness for string quartet.
Amber on Black i Score Sample #1
A page from the score for Amber on Black i (“Articulation Derailed”), for four singers, set to a concrete poem by Stephen Boon. This section is a symbolic emulation of a train journey.
Amber on Black i Score Sample #2
Another page from the score for Amber on Black i (“Articulation Derailed”), for four singers, set to a concrete poem by Stephen Boon.
Amber on Black iii Score Sample
A page from the score for Amber on Black iii (“Flying north at night”), for soprano, alto flute & live electronics, set to a free-form poem by Stephen Boon. The work symbolises an aeroplane journey, alluding to the view of the Earth's geological surroundings from the sky at night.
Amber on Black i Paper Sketch
Page 4 of the handwritten paper sketch for Amber on Black i (“Articulation Derailed”), for four singers, set to a concrete poem Stephen Boon.
Amber on Black i Manuscript Sketch
Page 2 of the handwritten manuscript sketch for Amber on Black i (“Articulation Derailed”), for four singers, set to a concrete poem by Stephen Boon.
Amber on Black iii Manuscript Sketch
Page 3 of the handwritten manuscript sketch for Amber on Black iii (“Flying north at night”), for soprano, alto flute & live electronics, set to a free-form poem by Stephen Boon. The work symbolises an aeroplane journey, alluding to the view of the Earth's geological surroundings from the sky at night.
Human Visions #2: Civilisations Score Sample #1
A page from the score for Human Visions #2: Civilisations, for symphony orchestra.
Human Visions #2: Civilisations Score Sample #2
Another page from the score for Human Visions #2: Civilisations, for symphony orchestra.
Human Visions #2: Civilisations Manuscript Sketch
Page 2 of the handwritten manuscript sketch for Human Visions #2: Civilisations, for symphony orchestra.
Ynys Afallon Score Sample
A page from the score for Ynys Afallon (Isle of Avalon), for SATB choir & pianoforte. The work is set to a translation of a Welsh-language poem by T. Gwynn Jones, which depicts the death of King Arthur, the Celtic mythological figurehead.
Cwyn y Gwynt #2: Breuddwyd Score Sample
A page from the score for Breuddwyd (Dream), the second movement (of 3) from Cwyn y Gwynt (The Wind's Lament) for flute & harp. The work is inspired by a Welsh-language poem by Sir John Morris-Jones, which symbolises the death of a loved one. Cwyn y Gwynt won the main composers’ medal (‘Tlws y Cerddor’) at the 2012 Welsh National Eisteddfod in the Vale of Glamorgan.
Eternal Owl Call Score Sample
A page from the score for Eternal Owl Call for bass flute & live electronics. The work is inspired by the Celtic mythological fable of Blodeuwedd (The Flower Maiden) and was composed for virtuoso avant-garde flautist Carla Rees and the rarescale Contemporary Music Ensemble.